![]() To understand what to choose we must first understand what the Contrast Ratio means: it is a property of any display medium and represents the ratio between the maximum luminance and the minimum reproducible luminance. If, on the other hand, we are calibrating for printing, things get complicated. So how do we do it? Simple! Remember that no one forbids us from making two profiles to be used in each case!Īs for the Contrast Ratio, if you are profiling a single monitor and we are always calibrating our monitor for post-production photography, it is difficult not to find reasons not to select “ Native“. (once again, it depends a lot on the paper you will use). In printing, however, this value would be too high, so for the profiling related to printing, I suggest a value of 100 cd/m2 or even 80 cd/m2. ![]() Here a world of possibilities opens up, but if the objective is to profile your monitor for post-production photography, the choice I recommend is to opt for the CIE illuminant D65.Ībout Luminance, I suggest you choose the value of 120 cd/m2: this is the value I normally use when I work on my images. Once this is done, let’s select the “ White Point“. ![]() If you have an external photographic screen and you are in doubt as to whether the automatic selection is correct, I suggest you consult the website For my MacBook Pro with retina display, White LED is correctly selected. The software should automatically detect the panel we are using, but if this does not happen or if you have any doubts, you can do it manually from the drop-down menu. Yes, setting the display means actually going to perform the calibration.įirst, let’s specify the panel technology of the screen we want to profile.
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